How To Walk To School
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The Book

How to Walk to School

Blueprint for a Neighborhood School Renaissance

By Jacqueline Edelberg & Susan Kurland
Foreword by Arne Duncan
Afterword by Rahm Emanuel

Nettelhorst School’s transformation from a struggling school into a vibrant educational community is an inspiration. I hope their story—a story of dedicated parents and innovative administrators—will embolden reformers across the country to step forward and take back their schools.”
—Richard J. Durbin, U.S. Senator for Illinois, Assistant Majority Leader

“An unbelievable change, from caterpillar to butterfly, and it happened right in my own backyard in Chicago. How to Walk to School moved me to tears…it’s one of the most absolutely beautiful, heartwarming stories I’ve read in a long time.”
—Nate Berkus, decorator and featured design expert on the Oprah Winfrey Show

When two gutsy moms ventured inside Nettelhorst, their neighborhood’s underutilized and struggling public elementary school, the new principal asked what it would take for them to enroll their children. Stunned by her candor, they returned the next day armed with an extensive wish list. The principal read their list and said “Well, let’s get started, girls! It’s going to be a busy year…”

How to Walk to School is the story—from the highs to the lows—of motivated neighborhood parents galvanizing and then organizing an entire community to take a leap of faith, transforming a challenged urban school into one of Chicago’s best, virtually overnight. Susan Kurland, Nettelhorst’s new and entrepreneurial principal, and Jacqueline Edelberg, the neighborhood mom, prove that the fate of public education is not beyond our control. How to Walk to School provides an accessible and honest blueprint for reclaiming the great public schools our children deserve.

Watch the How to Walk to School video

About the Artists – Interior

When people say that Nettelhorst is a labor of love, they often point to the artwork that covers almost every available surface of the school. Local artist artists donated their time, which invariably far exceeded expectations, and made due with recycled materials or the school’s random assortment of half-dried latex paint, and always included Nettelhorst parents, teachers, and students in the process.
In honor of Louis Nettelhorst, the lunchroom became Bistro Louis thanks to the Enchanted Room’s Jonna Mulqueen.
Across from the Bistro, Jacqueline Edelberg (www.howtowalktoschool.com and www.ketubbah.com) painted Harris Bank’s parent staffed, in-school banking center; both the banking mural and the lunchroom mural were inspired by Maria Kalman’s brilliant illustrations in Ooh La La, Max in Love (www.mairakalman.com).
Thanks to artist Julia Goldman, Nettelhorst’s youngest students pretend to “swim” to lunch via a formerly dark subterranean passageway that became a vibrant underwater mural called Atlantis.
Thanks to Amy Lemaire, upper grade students have homeroom in the Moroccan world music café. Furnished with Crate and Barrel Congo tables and Medowcraft cushions, the café is a comfortable place for kids to watch movies, play chess and read.
When Flashy Trash, a beloved neighborhood vintage store, closed its doors, owner Harold Mandel donated an exterior mural by Anita Prentice (www.anitaprenticeart.com). To better fit its new home, Anita’s mural underwent a few minor alterations: “Flashy Trash” in the banner became “Nettelhorst School”; some characters required a PG rating–boys lost tattoos and cigarettes, girls received extra clothing and breast reductions. Despite these changes, the essence of Anita’s fabulous mural remains unchanged.
In the India sensory hallway, panels salvaged from Monsoon, a shuttered neighborhood restaurant. Artists Suzanne Day, Jacqueline Edelberg, Jessica Treinish, KT McCammond, Deborah Yanowski (hummingfeet.com), and painted complementary animal murals and embellished the preexisting silhouettes.

In the Africa hallway, Ingrid Albrecht (www.ingridsoriginals.com) painted life-size petroglyphs share wall space with National Geographic Mike Hettwer’s (www.hettwer.com) stunning photographs and museum quality African artifacts from Heather Heinlein’s now closed Arms Akimbo gallery.

The Mexico and Latin America hallway is the work of the National Museum of Mexican Art’s Yollocalli artists Alejandro Medina, Gabriel Villa, Leo Ruiz and Jose Luis Gutierrez (www.nationalmuseumofmexicanart.org). Thanks to the wizards of Nordstrom’s visual department, hanging mirrors on filament cast swirling sunbeams on the murals; students rumba and cha-cha to class.

In the formerly dark 1950’s three-floor wing of the school is now Earth, Sky, and Space. On each floor, inexpensive rainbow gel covers camouflage the once naked florescent light bulbs.

On the Earth floor, parents and students painted a meadow scene inspired by Miriam Kalman’s Ooh La La, Max in Love (www.mairakalman.com)

On the second Sky floor, Liza Tursky painted a happy sky with billowy clouds, birds, an airplane, and a hot air balloon.
And on the top Space floor, a disco ball casts a wash of stars on the stairwell. In the painted “Space Cat” window, a bullet remains lodged inside an interior glass panel, an enduring testament to more dangerous times. Artist David Lee Csicsko’s (www.csicsko.com) enlarged illustrations on industrial floor adhesive line the walls. Most Chicagoans know David’s work from the Belmont El station, Ann Sather’s restaurants, and the Gay Games.
Even Nettelhorst’s bathrooms and coat closets are joyful, thanks to Nettelhorst moms Suzanne Day and Sue Cahill

William Butler Yeats said that “Education is not the of a pail, but the lighting of a fire.” Thanks to all of these generous and gifted artists, Nettelhorst is a full-on inspirational tinderbox.

About the Artists – Exterior

Thanks to local artists, Nettelhorst’s exterior comes alive with sculpture, temporary public art installations, and numerous murals on exterior doors. Local artist artists donated their time, made due with recycled materials or the school’s random assortment of half-dried latex paint, and almost always included Nettelhorst parents, teachers, students, and even unwitting neighbors, who just happened to be walking by.
Sculptor Terrence Karpowicz (www.sculpture.org) created the granite and steel “Solar Needle” made from recycled materials donated by Finkl Steel. A hole cut in the center of the granite column casts a circular shadow on the pavement; over the course of the school year, students learn about astronomy by tracing the equinox in a perfect figure eight.
detail from Michael's front doors
Michael Bonfiglio (www.wilddot.com) painted the main entrance doors (on the book’s back cover and spine). His fabulous dotted creations are sold nationally; his boxes even found their way into Academy Awards swag bags. Over Michael’s colorful doors, Nettelhorst’s amazingly talented teacher Phyllis Dunbar fashioned the colorful “Nettelhorst School” mosaic.

The cover of How to Walk to School showcases doors by Brian Graves (www.bigartchicago.com). Brian superimposed scores of quotes about the virtues of public education (he’s not only a gifted artist, but also a ten-year veteran public school teacher!).  Above Brian’s red doors, Jacqueline reconfigured the “Nettelhorst School” placard from a donated Ann Sack’s mosaic.
Andrew Skwish (www.skwish.com) painted the exterior doors leading to the school’s auditorium. Chicagoans know Andrew’s work from grace many cultural promotional materials, including the Silk Road Project.
Jacqueline tried to follow Andrew’s lead on the adjacent Jane’s Place doors.
Shari Imbo (www.imbogallery.com), a gifted artist and Nettelhorst mom, painted two sets of exterior doors, “Lakeview Rhapsody” and “Circle Game.” Shari also transformed dressmaker forms from Oilily with recycled materials for the Lakeview East Chamber’s Art 44/46, an annual exhibition of public art in the neighborhood (www.lakevieweast.com).
Debbie Egizio (www.thebeatofmyart.com) painted the little Boy and Girl exterior doors. Her charming illustrations also grace stationary and plates sold at the French Market and in her own gallery.
Jacqueline contributed to almost every mural listed above and fashioned many whimsical public art installations. Some pieces are more or less still standing, including a “Glitter Tree with Bicycle” made from recycled mirrors, beads and bicycle parts, inspired by Bob Benson’s work at the Visionary Art museum in Baltimore (www.shinyhappythings.com).

There are tons of exterior photos in the galleries, but Nettelhorst’s exterior is a continuous work in progress, so check back often.

Nettelhorst’s WPA Murals

Before neighborhood artists arrived in force, Nettelhorst was already home to two famous WPA murals.
Rudolph Weisenborn’s cubist WPA mural, “Contemporary Chicago” (1936).
and Ethel Spears’ WPA mural “Horses from Children’s Literature” (1936).

Both murals have been painstakingly restored by Heather Becker (www.heatherbecker.com). For more information about these two murals, see Becker’s Art for the People: The Rediscovery and Preservation of Progressive and WPA Era Murals in the Chicago Public Schools Chronicle Books, September 2002 (www.chicagoconservation.com).

Directly opposite the “Contemporary Chicago” mural, above a seating area donated by Ethan Allen, artists Todd Mack and Allison Leonard (www.foursided.com) beautifully transformed memorabilia from Nettelhorst’s century-plus history into a decorative pictorial collage. Many photographs in the collection are from the same time period as the WPA murals.

Read an Excerpt

Chapter 1  Dream A Future: Identify Opportunities

Picture two real-life examples set in gentrifying neighborhoods in Chicago. In the first scenario, local parents convene a town hall meeting with the principal of their underutilized public elementary school. The families demand answers. The principal adamantly explains that despite the poor test scores, her school is still an appropriate choice. A representative from the public school board supports her argument with statistics and what the parents perceive as bureaucratic double-talk.

The frustrated community members, hearing no viable solutions to the school’s declining educational performance, become angry and cite their high taxes and diminished property values. Some question why their local alderman is MIA. One mother cradling an infant yells, “Just fix the damn place!” Another man complains that the principal is incompetent and should be fired immediately. The meeting further dissolves into name-calling, ad hominems, and bad blood. Everyone walks away wondering why no one in the room has taken responsibility for finding solutions.

In the second scenario, a group of parents hold a private meeting with the principal of their underutilized local public school. The well-meaning parents discuss the fact that although the school’s test scores have improved over the past several years, few neighborhood families are enrolling their children at the school. In case the principal does not fully appreciate just how poorly the community regards his school, the group confides that even the local alderman has given up hope that the school will pull out of its nosedive.

The neighborhood parents offer to volunteer their time and skills to help the principal transform the institution into a school of choice. As successful doctors, attorneys, government employees, and business consultants, these parents have considerable expertise to share. Despite their heartfelt appeal, the principal, unwilling to take a risk with his school, thanks the parents for their candor and generosity, and suggests other, “more suitable” schools for their children. The meeting ends. The parents, stunned and demoralized, leave with the realization that they now face the daunting process of private school interviews and magnet public school applications. The local public school drifts ever further into disrepair.

Versions of these two scenarios play out frequently in cities across the United States. Yet parents’ and principals’ inability to work together for the betterment of neighborhood schools makes little sense, given the steep challenges that face American education. State and federal funding for education continues to decrease. No Child Left Behind legislation threatens the closure of underperforming schools. Stretched budgets leave schools understaffed with underpaid, disheartened teachers, overcrowded classrooms, and crumbling infrastructures. The end result is that far too many students across the country are not receiving the education they need and deserve. But all too often, the very principals who desperately need help rebuff well-intentioned parents who pledge themselves to addressing these challenges.

Surely principals are aware that family engagement is one of the critical factors—if not the critical factor—in determining their school’s success or failure. Principals must know better than anyone that they need all the help they can get—which begs the question, why are struggling principals so reluctant to embrace local parents who offer to volunteer their time, energy, and expertise?

It is easy to imagine why the principal in the first scenario would choose not to work with the hotheaded parents. After all, a principal’s job is so taxing that she would be foolish to wittingly add more trouble to her already full plate. But why would the principal in the second situation refuse the help of solicitous parents who want to create a collaborative environment that would benefit everyone?

© Jacqueline Edelberg and Susan Kurland, excerpt from How to Walk to School: Blueprint for a Reighborhood school Renaissance (Rowman and Littlefield, October 2009)

Available in bookstores in October, but now on Amazon!

List Price: $24.95

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